Eric Morren
Eric Morren (22-4-1970, De Bilt) GEOMETRIC SCULPTURES
When a painter finds a brush he likes so I found my welder that felt like a fit. By merging Western and Eastern influences, these sculptures emerged in my mind. They seem like images from the past but also from a distant future, images that have yet to tell us anything. I prefer to place them in a tranquil space or large expanse of sand where you come across an sculpture like this and wonder what it is. If it is a utilitarian object, what is it used for? And why the circles? Sometimes you are looking for something that gives you strength. You are introverted and want to hold on to that but also want to share that serenity. You want to be open but also come across as strong. You want to be sweet but also tough. You want to send but also receive. You want to return to something primitive but at the same time be able to receive futuristically.
On the frequency on which I made the sculptures, I try to hold it and offer protection and share it with those who can perceive it. To hold this frequency, these circles were created. You receive something that you can hold on to for as long as you want. We like to hold on to traditions and beliefs and look for symbols for them. Just as every tribe had its own totem pole and the whole village danced around it so we in the West built churches to go to. A tooth of Buddha is kept and we walk circles around it. Do we chant and make mantras to protect ourselves. We cling to pieces of metal or stone and add to them. I feel the same way with my sculptures. I am in there along with the energy I put into it. You can feel it whenever you want. I also talk to art, stroke it and give it love.
That's what I want to give and try to convey that. When you tune into the right frequency then you can feel it. Art should tell something, of course, but it should also raise questions. A good work of art intrigues and captivates every time you see it. A relationship develops and it becomes dear to you. Just as an artist often says they are his children and a collector cherishes and cares for his artworks. But important to me is the wonder it evokes and very sometimes stimulates the imagination. That evokes feelings, acquires its own identity and emanates an energy that lasts.
Op Aanvraag
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Weightless II
160 x 108 cm
Staal
8.900,- Euro | Lokatie: De Dependance
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Sculpture 320
320 x 160 cm
Staal
10.650,- Euro | Lokatie: De Dependance
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Looped
114 x 76 x 76 cm
Staal
5.800,- Euro | Lokatie: De Dependance
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Shinsetsu II
190 x 110 x 110 cm
Staal
8.900,- Euro | Lokatie: De Dependance
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Shinsetsu III
210 x 110 x 110 cm
Staal
9.700,- Euro | Lokatie: De Dependance
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Zonder titel
166 x 28 x 28 cm
Staal
2.800,- Euro | Lokatie: De Dependance
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Weightless small
114 x 44 x 44 cm
Staal
3.700,- Euro | Lokatie: De Dependance
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Weightless
210 x 90 x 90 cm
Staal
7.800,- Euro | Lokatie: De Dependance
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Shinsetsu
210 x 110 x 110 cm
Staal
9.200,- Euro | Lokatie: De Dependance
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Les Gout
330 x 110 x 110 cm
Staal
8.900,- Euro | Lokatie: De Dependance
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Deia
205 x 110 x 110 cm
Staal
7.700,- Euro | Lokatie: De Dependance
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Deia II
190 x 90 x 90 cm
Staal
7.800,- Euro | Lokatie: De Dependance
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Closing in
210 x 90 x 110 cm
Staal
8.900,- Euro | Lokatie: De Dependance
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Symbiose
102 x 42 cm
Staal
3.700,- Euro | Lokatie: De Dependance
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Weightless I
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Steel sculptures by Eric Morren